Monday, May 5, 2008

Creative Alliance

I guess I should talk about the Creative Alliance event: 

All of the movies were good. There were about 11 and about 3 awards given out. One was for the audience choice (in other words, whichever one of us brings the most people ;)

My husband got irritated in a funny way when I didn't win, I laughed, telling him that I was happy to have my stuff shown. I called him a stage husband. 

Everyone is making documentaries....




Final project

I had finished my final for this class on Friday, but I got more ideas on Sunday and we went out and shot more footage. 

I am adding the music track now, which needs to be changed now with the extra footage. Overall, I am happy with the final product, though I would like to extend it and add more narrative as well as polish the current dialogue. Of course, writing is rewriting...

Sunday, May 4, 2008

Semester

I can't believe that this semester is almost done. I am finsihing up, but it is hard for me to do anything as I want to be done now. 


I start at Towson in the fall and will be there for two semesters, then I'm getting an MFA in Art, though I do not know at this time where I'll be going. 

Friday, April 25, 2008

Tonight

We arrived at the Creative Alliance Wed night and we saw on the marquee that it was Friday night. The semester is near the end and my brain is fried. 

Wednesday, April 23, 2008

Creative Alliance

Tonight, I am going to the Craetive Alliance for their annual student film/video bakeoff. One of my shorts was accepted. It starts at 8 PM. 

Final project

I typed up my piece Monday night and sent it in to Jenny. The focus of it changed. Previously, it was going to be a straight narrative with actors, but as I wrote it, it seemed like it should be more surrealistic with imagery and music along with a reenactment. We are filming on Sunday morning in the woods in Wyman Park. 

Monday, April 21, 2008

Pics

I'll post those damned Santa Fe pictures soon. 

Screenplay

Dreams usually dissolve from memory seconds after you wake up. In those rare instances where something in your dream is terrifying, the dissipation slows like an old truck running out of gas on a desert highway, leaving you feeling isolated with the images of what brought forth such fear while in slumber. 

Last night, I dreamt that I saw my father in a garden. I tried to go up and talk to him but he kept walking, ignoring me as I called after him. He did not turn around and as he went further away, I could hear his voice.

"Why did you not contact me before now?"

Though his back was to me, I knew that his mouth was not moving to those words as his voice was near my ear by the time that he was physically a mile away. 

I called out to him, but nothing came out as I tried to shout. My father was at level with the toy soldier-sized trees in the horizon before he disappeared. Only when he was gone could I shout that I missed him and did not know where he was. 


Off to work

..more when I come back. 

Pictures from santa Fe

I'm going to post them, probably tonight as well. 

Final Project

I have written and rewritten the final project. It is on paper. I will ad it to the blog tonight. 

Monday, April 7, 2008

Non-profit Newsletters

"How-to"






Literary Newsletters







Santa Fe

I know I have to put up pictures of Santa Fe. this is a reminder e-mail that I am sending to myself to do tonnight. 

Poll

I have to make up another poll as the one on the left is quite old. Any suggestions?

Newsletter

This is a copy of the newsletter that I sent out to the class today. 

Actually, never mind. It's taking forever to upload. Each person in the class got a copy.

MD Film Fest

Didn't get in. Oh well. 

Monday, March 31, 2008

Tomorrow is Announcements for MD Film Fest

Not getting my hopes up. But if I stop winning entries into festivals and galleries, that's okay. I've gotten into 1 gallery and 3 fests so fare. Not bad. 

Saturday, March 29, 2008

CAMM Slam and Heritage Film Fest

Also, I got into the Creative Alliance's film festival, CAMM Slam. CA said that it was very competitive this year. This makes up for all of the rejections I have received. 

I also got into Prince George's heritage Festival at Prince George's Community College on April 4. I got the word on that yesterday. It's nice to have your work appreciated. 

I'm not getting my hopes up for Maryland Film Fest, but that's okay. I'm thrilled with CAMM and Heritage.

Final Project

I am really excited about my final project for E-publishing class. I'm not saying that to suck up to the class prof who is reading this, I truly am excited. 

I already have the actors lined up, I am going to start penning the chapter tonight (after everyone is in bed). 

Thursday, March 20, 2008

Pics from Santa Fe

I have to make these pics smaller, they take forever to upload. Will do this weekend. 

Pics From Santa Fe

This is one of the pictures I took in Santa Fe. "Mastering Your Flash" was the course title. Frankly, the pictures
that I took this week were the best ones I have ever taken in my life. 


I was so ignorant of photography before I attended this workshop (and still somewhat ignorant). I took a couple of ohoto classes at MICA taught by a very nice man, but all he taught us was ISO and Photoshop. I wasn't considering shutter spped and F-stop because I didn't know to do so. The other MICA students obviously knew this because their pics looked great, while mine looked like shit. Now I know why. 

The instructor for the Santa Fe workshop didn't want us to use Photoshop, so these aren't Photoshopped. She said, learn how to take a good pic, then use PS as an aid. Relying too much on Photoshop is the wrong way to become a photographer, she also told us. 

Julia Dean was the instructor. A great teacher, take her if you ever get a chance. 

This Blog

I have been doing a lot of thinking as to why I have not been posting as much as required on this blog. It is not that I have been going out of my way to "disobey" my course requirement for this class. The reality is that I have felt weird and self-conscious posting comments on a blog. 

I am not a luddite. I bought a MAC in September and after taking a few video classes in the pub design program, I have fervently jumped into the fields of video production and photography, taking classes, buying books and software as well as a sparse amount of photography equipment. 

This is the first writing course that I have taken at UB since I was an undergrad Lit major. I am a design student in a class full of writers. I was a writer in undergrad, but I delved into visual arts, in part, I think because of my fear of writing. 

Another Essay on Obama's Speech

This one is from Tim Wise, and he is right on the money (for the record, Wise is white): 


Of National Lies and Racial America

By TIM WISE

For most white folks, indignation just doesn't wear well. Once affected or conjured up, it reminds one of a pudgy man, wearing a tie that may well have fit him when he was fifty pounds lighter, but which now cuts off somewhere above his navel and makes him look like an idiot.

Indignation doesn't work for most whites, because having remained sanguine about, silent during, indeed often supportive of so much injustice over the years in this country--the theft of native land and genocide of indigenous persons, and the enslavement of Africans being only two of the best examples--we are just a bit late to get into the game of moral rectitude. And once we enter it, our efforts at righteousness tend to fail the test of sincerity.

But here we are, in 2008, fuming at the words of Pastor Jeremiah Wright, of Trinity United Church of Christ in Chicago--occasionally Barack Obama's pastor, and the man whom Obama credits with having brought him to Christianity--for merely reminding us of those evils about which we have remained so quiet, so dismissive, so unconcerned. It is not the crime that bothers us, but the remembrance of it, the unwillingness to let it go--these last words being the first ones uttered by most whites it seems whenever anyone, least of all an "angry black man" like Jeremiah Wright, foists upon us the bill of particulars for several centuries of white supremacy.

But our collective indignation, no matter how loudly we announce it, cannot drown out the truth. And as much as white America may not be able to hear it (and as much as politics may require Obama to condemn it) let us be clear, Jeremiah Wright fundamentally told the truth.

Oh I know that for some such a comment will seem shocking. After all, didn't he say that America "got what it deserved" on 9/11? And didn't he say that black people should be singing "God Damn America" because of its treatment of the African American community throughout the years?

Well actually, no he didn't.

Wright said not that the attacks of September 11th were justified, but that they were, in effect, predictable. Deploying the imagery of chickens coming home to roost is not to give thanks for the return of the poultry or to endorse such feathered homecoming as a positive good; rather, it is merely to note two things: first, that what goes around, indeed, comes around--a notion with longstanding theological grounding--and secondly, that the U.S. has indeed engaged in more than enough violence against innocent people to make it just a tad bit hypocritical for us to then evince shock and outrage about an attack on ourselves, as if the latter were unprecedented.

He noted that we killed far more people, far more innocent civilians in Hiroshima and Nagasaki than were killed on 9/11 and "never batted an eye." That this statement is true is inarguable, at least amongst sane people. He is correct on the math, he is correct on the innocence of the dead (neither city was a military target), and he is most definitely correct on the lack of remorse or even self-doubt about the act: sixty-plus years later most Americans still believe those attacks were justified, that they were needed to end the war and "save American lives."

But not only does such a calculus suggest that American lives are inherently worth more than the lives of Japanese civilians (or, one supposes, Vietnamese, Iraqi or Afghan civilians too), but it also ignores the long-declassified documents, and President Truman's own war diaries, all of which indicate clearly that Japan had already signaled its desire to end the war, and that we knew they were going to surrender, even without the dropping of atomic weapons. The conclusion to which these truths then attest is simple, both in its basic veracity and it monstrousness: namely, that in those places we committed premeditated and deliberate mass murder, with no justification whatsoever; and yet for saying that I will receive more hate mail, more hostility, more dismissive and contemptuous responses than will those who suggest that no body count is too high when we're the ones doing the killing. Jeremiah Wright becomes a pariah, because, you see, we much prefer the logic of George Bush the First, who once said that as President he would "never apologize for the United States of America. I don't care what the facts are."

And Wright didn't say blacks should be singing "God Damn America." He was suggesting that blacks owe little moral allegiance to a nation that has treated so many of them for so long as animals, as persons undeserving of dignity and respect, and which even now locks up hundreds of thousands of non-violent offenders (especially for drug possession), even while whites who do the same crimes (and according to the data, when it comes to drugs, more often in fact), are walking around free. His reference to God in that sermon was more about what God will do to such a nation, than it was about what should or shouldn't happen. It was a comment derived from, and fully in keeping with, the black prophetic tradition, and although one can surely disagree with the theology (I do, actually, and don't believe that any God either blesses or condemns nation states for their actions), the statement itself was no call for blacks to turn on America. If anything, it was a demand that America earn the respect of black people, something the evidence and history suggests it has yet to do.

Finally, although one can certainly disagree with Wright about his suggestion that the government created AIDS to get rid of black folks--and I do, for instance--it is worth pointing out that Wright isn't the only one who has said this. In fact, none other than Bill Cosby (oh yes, that Bill Cosby, the one white folks love because of his recent moral crusade against the black poor) proffered his belief in the very same thing back in the early '90s in an interview on CNN, when he said that AIDS may well have been created to get rid of people whom the government deemed "undesirable" including gays and racial minorities.

So that's the truth of the matter: Wright made one comment that is highly arguable, but which has also been voiced by white America's favorite black man, another that was horribly misinterpreted and stripped of all context, and then another that was demonstrably accurate. And for this, he is pilloried and made into a virtual enemy of the state; for this, Barack Obama may lose the support of just enough white folks to cost him the Democratic nomination, and/or the Presidency; all of it, because Jeremiah Wright, unlike most preachers opted for truth. If he had been one of those "prosperity ministers" who says Jesus wants nothing so much as for you to be rich, like Joel Osteen, that would have been fine. Had he been a retread bigot like Falwell was, or Pat Robertson is, he might have been criticized, but he would have remained in good standing and surely not have damaged a Presidential candidate in this way. But unlike Osteen, and Falwell, and Robertson, Jeremiah Wright refused to feed his parishioners lies.

What Jeremiah Wright knows, and told his flock--though make no mistake, they already knew it--is that 9/11 was neither the first, nor worst act of terrorism on American soil. The history of this nation for folks of color, was for generations, nothing less than an intergenerational hate crime, one in which 9/11s were woven into the fabric of everyday life: hundreds of thousands of the enslaved who died from the conditions of their bondage; thousands more who were lynched (as many as 10,000 in the first few years after the Civil War, according to testimony in the Congressional Record at the time); millions of indigenous persons wiped off the face of the Earth. No, to some, the horror of 9/11 was not new. To some it was not on that day that "everything changed." To some, everything changed four hundred years ago, when that first ship landed at what would become Jamestown. To some, everything changed when their ancestors were forced into the hulls of slave ships at Goree Island and brought to a strange land as chattel. To some, everything changed when they were run out of Northern Mexico, only to watch it become the Southwest United States, thanks to a war of annihilation initiated by the U.S. government. To some, being on the receiving end of terrorism has been a way of life. Until recently it was absolutely normal in fact.

But white folks have a hard time hearing these simple truths. We find it almost impossible to listen to an alternative version of reality. Indeed, what seems to bother white people more than anything, whether in the recent episode, or at any other time, is being confronted with the recognition that black people do not, by and large, see the world like we do; that black people, by and large, do not view America as white people view it. We are, in fact, shocked that this should be so, having come to believe, apparently, that the falsehoods to which we cling like a kidney patient clings to a dialysis machine, are equally shared by our darker-skinned compatriots.

This is what James Baldwin was talking about in his classic 1972 work, No Name in the Street, wherein he noted:

"White children, in the main, and whether they are rich or poor, grow up with a grasp of reality so feeble that they can very accurately be described as deluded--about themselves and the world they live in. White people have managed to get through their entire lifetimes in this euphoric state, but black people have not been so lucky: a black man who sees the world the way John Wayne, for example, sees it would not be an eccentric patriot, but a raving maniac."

And so we were shocked in 1987, when Supreme Court Justice Thurgood Marshall declined to celebrate the bicentennial of the Constitution, because, as he noted, most of that history had been one of overt racism and injustice, and to his way of thinking, the only history worth celebrating had been that of the past three or four decades.

We were shocked to learn that black people actually believed that a white cop who was a documented racist might frame a black man; and we're shocked to learn that lots of black folks still perceive the U.S. as a racist nation--we're literally stunned that people who say they experience discrimination regularly (and who have the social science research to back them up) actually think that those experiences and that data might actually say something about the nation in which they reside. Imagine.

Whites are easily shocked by what we see and hear from Pastor Wright and Trinity Church, because what we see and hear so thoroughly challenges our understanding of who we are as a nation. But black people have never, for the most part, believed in the imagery of the "shining city on a hill," for they have never had the option of looking at their nation and ignoring the mountain-sized warts still dotting its face when it comes to race. Black people do not, in the main, get misty eyed at the sight of the flag the way white people do--and this is true even for millions of black veterans--for they understand that the nation for whom that flag waves is still not fully committed to their own equality. They have a harder time singing those tunes that white people seem so eager to belt out, like "God Bless America," for they know that whites sang those words loudly and proudly even as they were enforcing Jim Crow segregation, rioting against blacks who dared move into previously white neighborhoods, throwing rocks at Dr. King and then cheering, as so many did, when they heard the news that he had been assassinated.

Whites refuse to remember (or perhaps have never learned) that which black folks cannot afford to forget. I've seen white people stunned to the point of paralysis when they learn the truth about lynchings in this country--when they discover that such events were not just a couple of good old boys with a truck and a rope hauling some black guy out to the tree, hanging him, and letting him swing there. They were never told the truth: that lynchings were often community events, advertised in papers as "Negro Barbecues," involving hundreds or even thousands of whites, who would join in the fun, eat chicken salad and drink sweet tea, all while the black victims of their depravity were being hung, then shot, then burned, and then having their body parts cut off, to be handed out to onlookers. They are stunned to learn that postcards of the events were traded as souvenirs, and that very few whites, including members of their own families did or said anything to stop it.

Rather than knowing about and confronting the ugliness of our past, whites take steps to excise the less flattering aspects of our history so that we need not be bothered with them. So, in Tulsa, Oklahoma, for example, site of an orgy of violence against the black community in 1921, city officials literally went into the town library and removed all reference to the mass killings in the Greenwood district from the papers with a razor blade--an excising of truth and an assault on memory that would remain unchanged for over seventy years.

Most white people desire, or perhaps even require the propagation of lies when it comes to our history. Surely we prefer the lies to anything resembling, even remotely, the truth. Our version of history, of our national past, simply cannot allow for the intrusion of fact into a worldview so thoroughly identified with fiction. But that white version of America is not only extraordinarily incomplete, in that it so favors the white experience to the exclusion of others; it is more than that; it is actually a slap in the face to people of color, a re-injury, a reminder that they are essentially irrelevant, their concerns trivial, their lives unworthy of being taken seriously. In that sense, and what few if any white Americans appear capable of grasping at present, is that "Leave it Beaver" and "Father Knows Best," portray an America so divorced from the reality of the times in which they were produced, as to raise serious questions about the sanity of those who found them so moving, so accurate, so real. These iconographic representations of life in the U.S. are worse than selective, worse than false, they are assaults to the humanity and memory of black people, who were being savagely oppressed even as June Cleaver did housework in heels and laughed about the hilarious hijinks of Beaver and Larry Mondello.

These portraits of America are certifiable evidence of how disconnected white folks were--and to the extent we still love them and view them as representations of the "good old days" to which we wish we could return, still are--from those men and women of color with whom we have long shared a nation. Just two months before "Leave it to Beaver" debuted, proposed civil rights legislation was killed thanks to Strom Thurmond's 24-hour filibuster speech on the floor of the U.S. Senate. One month prior, Arkansas Governor Orville Faubus called out the National Guard to block black students from entering Little Rock Central High; and nine days before America was introduced to the Cleavers, and the comforting image of national life they represented, those black students were finally allowed to enter, amid the screams of enraged, unhinged, viciously bigoted white people, who saw nothing wrong with calling children niggers in front of cameras. That was America of the 1950s: not the sanitized version into which so many escape thanks to the miracle of syndication, which merely allows white people to relive a lie, year after year after year.

No, it is not the pastor who distorts history; Nick at Nite and your teenager's textbooks do that. It is not he who casts aspersions upon "this great country" as Barack Obama put it in his public denunciations of him; it is the historic leadership of the nation that has cast aspersions upon it; it is they who have cheapened it, who have made gaudy and vile the promise of American democracy by defiling it with lies. They engage in a patriotism that is pathological in its implications, that asks of those who adhere to it not merely a love of country but the turning of one's nation into an idol to be worshipped, it not literally, then at least in terms of consequence.

It is they--the flag-lapel-pin wearing leaders of this land--who bring shame to the country with their nonsensical suggestions that we are always noble in warfare, always well-intended, and although we occasionally make mistakes, we are never the ones to blame for anything. Nothing that happens to us has anything to do with us at all. It is always about them. They are evil, crazy, fanatical, hate our freedoms, and are jealous of our prosperity. When individuals prattle on in this manner we diagnose them as narcissistic, as deluded. When nations do it--when our nation does--we celebrate it as though it were the very model of rational and informed citizenship.

So what can we say about a nation that values lies more than it loves truth? A place where adherence to sincerely believed and internalized fictions allows one to rise to the highest offices in the land, and to earn the respect of millions, while a willingness to challenge those fictions and offer a more accurate counter-narrative earns one nothing but contempt, derision, indeed outright hatred? What we can say is that such a place is signing its own death warrant. What we can say is that such a place is missing the only and last opportunity it may ever have to make things right, to live up to its professed ideals. What we can say is that such a place can never move forward, because we have yet to fully address and come to terms with that which lay behind.

What can we say about a nation where white preachers can lie every week from their pulpits without so much as having to worry that their lies might be noticed by the shiny white faces in their pews, while black preachers who tell one after another essential truth are demonized, not only for the stridency of their tone--which needless to say scares white folks, who have long preferred a style of praise and worship resembling nothing so much as a coma--but for merely calling bullshit on those whose lies are swallowed whole?

And oh yes, I said it: white preachers lie. In fact, they lie with a skill, fluidity, and precision unparalleled in the history of either preaching or lying, both of which histories stretch back a ways and have often overlapped. They lie every Sunday, as they talk about a Savior they have chosen to represent dishonestly as a white man, in every picture to be found of him in their tabernacles, every children's story book in their Sunday Schools, every Christmas card they'll send to relatives and friends this December. But to lie about Jesus, about the one they consider God--to bear false witness as to who this man was and what he looked like--is no cause for concern.

Nor is it a problem for these preachers to teach and preach that those who don't believe as they believe are going to hell. Despite the fact that such a belief casts aspersions upon God that are so profound as to defy belief--after all, they imply that God is so fundamentally evil that he would burn non-believers in a lake of eternal fire--many of the white folks who now condemn Jeremiah Wright welcome that theology of hate. Indeed, back when President Bush was the Governor of Texas, he endorsed this kind of thinking, responding to a question about whether Jews were going to go to hell, by saying that unless one accepted Jesus as one's personal savior, the Bible made it pretty clear that indeed, hell was where you'd be heading.

So you can curse God in this way--and to imply such hate on God's part is surely to curse him--and in effect, curse those who aren't Christians, and no one says anything. That isn't considered bigoted. That isn't considered beyond the pale of polite society. One is not disqualified from becoming President in the minds of millions because they go to a church that says that shit every single week, or because they believe it themselves. And millions do believe it, and see nothing wrong with it whatsoever.

So white folks are mad at Jeremiah Wright because he challenges their views about their country. Meanwhile, those same white folks, and their ministers and priests, every week put forth a false image of the God Jeremiah Wright serves, and yet it is whites who feel we have the right to be offended.

Pardon me, but something is wrong here, and whatever it is, is not to be found at Trinity United Church of Christ.

Tim Wise is the author of: White Like Me: Reflections on Race from a Privileged Son (Soft Skull Press, 2005), and Affirmative Action: Racial Preference in Black and White (Routledge: 2005). He can be reached at: timjwise@msn.com

This essay originally appeared in Lip.


Obama's Speech

below is a copied and pasted article in defense of Rev Wright. Author asks a good question: why are people so inflamed about words and so indifferent to the horrors that this country has carried out, such as the wars in Iraq and Afghanistan?:

http://www.counterpunch.org/ross03192008.html

In Defense of Reverend Wright

By SHERWOOD ROSS

The language used by Reverend Jeremiah Wright to denounce his country is certainly "inflammatory" and has brought him wide vilification. Yet, the words of this otherwise gentle man of peace are nowhere as damnable as the actions of the man of war in the White House responsible for killing more than a million human beings in Iraq. Yet the president's uncounted lies have never been subjected to the intense scrutiny on TV that the networks are now devoting to Rev. Wright's comments! And why is that?

Bush and his neocon allies have loosed the dogs of war on the fiery Chicago preacher not because he represents a danger to anyone. That's absurd. Wright, we are told, has been making remarks such as "god damn America" for years. It's only since Senator Barack Obama has become a frontrunner that Obama's opponents elected to use Rev. Wright against him. It's their way of attempting to tear down the only one of the three presidential candidates that opposed Bush's war. It is Bush that deserves censure, not the minister.

And may we have the temerity to inquire what Reverend Wright is so angry about? The answer in part is that he is ticked off at America's imperialist foreign policy, its violations of international law, its role as a disturber of the peace. Indeed, Wright is part of a long and honorable tradition of Americans who told their government off when their government was, in fact, dead wrong, as it has been on many occasions. Such men and women loved their country enough to expect better of it. Psychologist William James, the Harvard philosopher, for example, used the same epithet as Wright in 1898 when he declared: "God damn the U.S. for its vile conduct in the Philippine Isles."

Was James wrong? In his "A People's History of the United States" (HarperPerennial), Howard Zinn quotes Mark Twain saying this about the U.S. takeover of the Philippines: "We have pacified some thousands of the islanders and buried them; destroyed their fields; burned their villages, and turned their widows and orphans out-of-doors." Indeed, the Manila correspondent for the Philadelphia Ledger wrote home, "our men have been relentless, have killed to exterminate men, women, children, prisoners and captivesand suspected people from lads of ten up Our soldiers have pumped salt water in them (captives) to make them talk" Were those damnable acts or not? How many people reading these words think it's okay to invade a foreign country and kill women and children?

So what is patriotism anyway? Does a real American patriot condone illegal wars and their horrors or isn't the essence of patriotism, rather, to condemn them, as unworthy of the American Dream, as Reverend Wright has done?

Ask yourself, was Congressman Abraham Lincoln unpatriotic for denouncing President Polk's invasion of Mexico? Again, quoting Zinn, "His (Lincoln's) spot resolutions' became famous---he challenged Polk to specify the exact spot where American blood was shed on the American soil.'" Polk couldn't do that, of course, because the Mexicans had not invaded America. Polk had provoked the war by invading Mexico --- and the U.S. eventually stole 500,000 square miles of what is now our Southwest, including California, Arizona and New Mexico. Or maybe President Grant, who had served as an officer in that war, was "un-American" when, years later, he confided to the emperor of Japan that he should have resigned his commission rather than serve in Mexico, a war that claimed 4,000 Mexican lives on the battlefield of Churubusco alone, a war that saw the U.S. bombard defenseless cities, a war in which some U.S. soldiers engaged in plunder, murder and rape.

Getting back to Reverend Wright, shortly after 9/11 he declared, "We bombed Hiroshima, we bombed Nagasaki, and we nuked far more than the thousands in New York and the Pentagon never batted an eye." Once again, we find the minister speaking truth to power, referring to the commission of two of the most horrific war crimes in history. He might have added, also, between them the U.S. and British air forces killed perhaps 800,000 German civilians in World War II and the U.S. incinerated the better part of 66 Japanese cities, massacring with napalm over 100,000 one night in Tokyo alone, and maybe 1-million Japanese civilians in all.

I don't know if the Trinity United Church of Christ minister ever got around to damning America's treatment of the Native Americans or the two-million civilians USA exterminated in Viet Nam, Laos and Cambodia, or the tens of thousands that died when President Nixon and Henry Kissinger funded the CIA's overthrow of the elected Allende government in Chile, etc., etc., but these are established facts. Just as the tortures and murders in Abu Ghraib and Guantanamo Bay today are facts.

We've heard a lot about "two Americas" in this campaign, comparing the rich and the poor. But there are two other "two Americas" that need urgently to be discussed: the America of righteousness, generosity, and peace and the America of criminality, greed and war; the America that helped create the United Nations and the America of George Bush that seeks plunder, and I don't blame the Reverend Wright that he is incensed at the latter. So am I. While I do not believe he has his facts right concerning all his charges, and while I think it is wrong to call on god to damn any individual, and particularly to damn an entire nation, my sympathy is with him for his preference for diplomacy over military solutions, and for peace over war, typical of many humanity-driven United Church of Christ ministries around the nation. Reverend Wright is a modern-day Jeremiah warning the kings of Judah of their fate for breaking their covenant with God. Tragically, President Bush thinks nothing of breaking one international covenant after another. Yet, I do not say, God damn him. For all his crimes, tortures, and killings, I say, God help him.

Sherwood Ross is a Miami, Fla.-based public relations consultant and magazine writer. Reach him atsherwoodr1@yahoo.com

Monday, March 10, 2008

Color Scheme for This Blog

I may mess with the color scheme again as in Santa Fe, they are not afraid of color!

Santa Fe

Just got in from Santa Fe this morning. I was gone for a week at the Santa Fe Photography Workshops. I'll post some of my pictures and thoughts on Santa Fe later.

Saturday, February 23, 2008

New Color Scheme

This color scheme is okay. 

Friday, February 22, 2008

Colors

I know that this color scheme is ugly. I'm working on it. 

Abby's Blog

I am also looking at Abby's blog http://poetic2one.blogspot.com

Nice artwork and she lined to all of ours, that is so nice! :)

Sylvia's Blog/Assignment of Looking at Someone Else's Blog

Sorry I am posting this late, Jenny.

I am looking at Sylvia's blog.  http://svadakara.wordpress.com

I like what she has done graphically with it, and it has inspired me to work on mine. 

Thursday, February 21, 2008

This is My Project that I Turned in Tonight for Advanced Motion Graphics

Just finished class, the weather is going to be pretty bad. It's 8:20, so I am going home. 

Sunday, February 17, 2008

The Awful Title of This Blog

I should have come up with something more creative than, "Blog for Electronic Publishing Class"

Any suggestions?

Check out my poll!

Vote early and vote often! This poll will determine who will be our next president.

Submission to Film Fests

I submitted my two minute short, Both, to many film fests and a few galleries. Two fests rejected it so far. I believe, based on looking at their lineup, that they are not friendly to experimental works. Holding out hope for Maryland Film Fest, Hopkins Fest, and Baltimore Womens' Film Fest as well as various fests in San Francisco and Portland.

I hope Nobody Comments on My Blog this Week

It's awful. I do write alot during the week. I just forget to put it in my blog. I'll hav eto post often just to get used to this idea.

Monday, February 11, 2008

It's 8:19

I know, this is friggin' awful on my part. Four minutes later. I bet I am not the only one who has done this.

Oh Shit

It's 8:15 in Jenny's class and I realize that I have not posted three entries on this blog. Sorry Jenny.

Ironically, I have been doing lots of writing this week. I could have just copied and pasted on here.

Friday, February 1, 2008

Three Sites With Excellent Narrative Qualities

Project Gutenberg

Many classic books republished on-line (Dante, Twain, the Bronte Sisters) among others. The more accessible these texts are to the public, the better. However, the site could use some jazzing up as it is quite bland. Some pictures would be nice. 

As bland as it now is, it is livelier than it was in the late 90s.

Here is Gutenberg's copy of one of Shakespeare's plays. Typed pages, could use some graphics, but I am unsure what should be used. 


(the on-line books page: UPENN)

Nice writing: "Master Yang was lured to South Mountain with the help of a male cousin and left in a lonely but beautiful place. Here Cloudlet appeared in the guise of a fairy and enticed him into the pavilion. So skilful was Cloudlet's wooing that Yang 'loved her from the depths of his heart and his love was reciprocated.' A most intricate practical joke was played on Yang for many weeks."

Also bland. Long lines across the web pages. Lines should be shorter maybe with some large pictures on the side. 




Perhaps because this is a childrens' book that this site is a bit better than the two above. There are pictures and teh lines are short. However, I would not have center the text and pictures. Maybe make it like stairs.